Michel Gerard
Transition
1989
steel, lead. pulleys, leather and canvas belt, plaster.
Dimensions variable
Viewers can move within the installation that deals with balance-imbalance of the early post-industrial situation. The factory-like interior with its immobilized tools and stopped rhythms presents three pulleys that carry suspended metal forms cast from the same matrix placed on floor.

Exhibited at the Carnegie Mellon Art Gallery
solo show Ruins of the Future
1989
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