1985-1999 > Cross Section

mixed media including forged steel, burnt branches, leaves and plants, charcoal, coke, schist, shale, and anthracite in progressives sizes, sampled from the La Mure mines in Isère, France.
1989
529 sq. ft.
Carnegie Mellon University Art Gallery, Pittsburgh & Thiers, France

Cross Section
mixed media including forged steel, branches, leaves, charcoal, coke, schist
1989
Cross Section
forged steel, burnt branches, leaves and plants, charcoal, coke, schist, shale, and anthracite; in background, Untitled drawing
19 x 6 meters
1989
Cross Section
forged steel, burnt branches, leaves and plants, charcoal, coke, schist, shale, and anthracite
19 x 6 meters
1989
Cross Section
42 pieces in 2 elements each; forged steel
65 x 26 cm
1989
Cross Section
forged steel, burnt branches, leaves and plants, charcoal, coke, schist, shale, and anthracite
1989
Cross Section
forged steel, burnt branches, leaves and plants, charcoal, coke, schist, shale, and anthracite
1989
Cross Section
charcoal on paper
1989

A vertical cross section of strata taken from a coal mine has been recreated on the floor. It displays the transition of materials in geological time from petrified forest to coal to minerals. A chain of four forged iron disks stretches across the installation diagonally suggesting a man-made industrial intervention.

"French critic Pierre Restany has said Gerard's work is 'a postmodern archeology of industry. Gerard has painstakingly extracted a buried reality from the mine shafts of the earth.'"
— from D. Miller's article for the Pittsburgh Post-Gazette

"Gerard's work, which takes as its main expressive medium anthracite coal, is thoughtful and resonant. What he created for the CMU gallery is dark and brooding and beautiful. In Cross Section, an installation that occupies a major part of the gallery space, Gerard spreads out various gradations of coal on a bed of burlap. Along the edge of this sooty blanket, pushed up against the pristine white walls of the gallery, Gerard weaves in subtle drifts of leaves."
— from B. Homisak's article for the Tribune-Review

Press:
(1) Pittsburgh Post-Gazette, November 10, 1989. “A Busy Art Weekend: 3 unusual shows open in Shadyside” by Donald Miller; (2) Tribune-Review, November 17, 1989. “Michel Gerard’s post-industrial elegy in coal” by Bill Homisak: p. D3

Bibliography:
Michel Gérard au Creux de l’Enfer, Centre d’Art Contemporain du Creux de l’Enfer (1989): p. 32, 34-35, 40-41
Michel Gérard: Signature Transformations 2009–1972, Christian Pirot (2009): p. 32